<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2063966711378206724</id><updated>2012-02-09T15:16:45.386+02:00</updated><category term='garbage'/><category term='articles'/><category term='arctuc'/><category term='Elias Konstantopoulos'/><category term='modern'/><category term='hotel'/><category term='GruppoA12'/><category term='workspheres'/><category term='quote'/><category term='map'/><category term='hacking'/><category term='documentary'/><category term='projects'/><category term='Jencks'/><category term='adhocism'/><category term='dexion'/><category term='explosion'/><category term='Theodorou'/><category term='Harvey'/><category term='re-think'/><category term='One Wilshire'/><category term='experimental jet set'/><category term='telecommunication'/><category term='MoMa'/><category term='archizoom'/><category term='graphic design'/><category term='OTE'/><category term='bank'/><category term='animation'/><category term='Loan'/><category term='Panayiota Pyla'/><category term='invention'/><category term='work'/><category term='cutting'/><category term='future'/><category term='remake'/><category term='table'/><category term='recycle'/><category term='retro'/><category term='diy'/><category term='office'/><category term='workshop'/><category term='Dimitriadis'/><category term='Karanastasi'/><category term='fragments'/><category term='talk'/><category term='Mantzou'/><category term='sign system'/><category term='Matta-Clark'/><category term='no stop city'/><category term='Zabriskie point'/><category term='economy'/><category term='radical'/><category term='KAM'/><category term='Tzirtzilakis'/><category term='book'/><category term='Edison'/><category term='mid-presentations'/><category term='brazil'/><category term='furniture'/><category term='bankruptcy'/><category term='Chania'/><category term='building'/><category term='Antonas'/><category term='wikipedia'/><category term='leisure'/><category term='archaeology'/><category term='typologies'/><category term='ikea'/><category term='housing'/><category term='plan'/><category term='Balestero'/><category term='exhibition'/><category term='existing building'/><category term='design'/><category term='anti-design'/><category term='crisis'/><category term='architecture'/><category term='OTE building'/><category term='cards'/><category term='utopias'/><category term='speculative'/><category term='reuse'/><category term='google'/><category term='capitalism'/><category term='Ethel Baraona'/><title type='text'>the Bankruptcy of Architecture</title><subtitle type='html'>An intensive studio 18-27 August 2010, at the Venetian Arsenal, Chania, Crete</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>53</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-3514702124222352629</id><published>2010-08-31T12:40:00.038+03:00</published><updated>2010-09-04T02:27:16.749+03:00</updated><title type='text'>the Structure of Bankruptcy</title><content type='html'>&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Architecture and Bankruptcy&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;Architecture seems deeply touched while exposed in a condition of bankruptcy. Bankruptcy and architecture prove themselves to be a symmetrical phenomenon, organized by an imposed chasm that lies between them. Architecture is announced as a guarantee for structure and as a schematization of the multiple. A bankruptcy (inaugurated etymologically as the break of the bench where an interchange takes place) is marked by a bifurcation imposed between the actors of a transaction; a problem of fragmentation of a former unified field and an installation of a particular multiplicity occur in this condition; old interconnected schemata seem isolated and unrelated after a bankruptcy. &lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt;Bankruptcy conceived as a triple scheme&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The mechanism of bankruptcy is constituted by the sudden loss of value that happens to objects or situations that were not only stable, but also guaranteeing the stabilization of many values that may depend upon them. A bankruptcy is a three-partite time scheme. It includes the state before the collapse, the event of the bankruptcy and the period that follows it. Most of the possible thoughts on bankruptcy are related to interpretations of this three-partite time scheme. We may think that the time before the bankruptcy may serve as a constant reference to stability. It condenses the stability of the given, the human idealized form of normality. The bankruptcy itself may be considered as an unexpected malfunction of an idealized former stable scheme; its week momentum and an explosion due to this malfunction produce the consciousness of a bankruptcy: something unimportant for the system is proved crucial and catastrophic. The era that follows such a system's failure is characterized by a mourning of a lost past and a promising systematic investment to non established values of the future. The bankruptcy mechanism performs a circular system that includes, in a same move, architecture, its dilution and the reconstitution of an open promise for another architecture to come.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div  style="font-size:15.9722px;"&gt;&lt;b&gt;&lt;span class="Apple-style-span"  style="font-size:small;"&gt; Architecture of unities, Bankruptcy of a fragmented field&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-size: 15.9722px; "&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The shape of normality has its architecture; its absolute crisis is performed with a bankruptcy. In this scheme we may also observe a system of distinguishing a unified structure and a fragmented phenomenon. An architecture includes its reference to an ἀρχή, to a beginning and also to a unifying principle. From the other side, a bankruptcy is related to a collapse of a system's interconnections, permitting till then a safe installation of values.&lt;/div&gt;&lt;div&gt;If we accept those descriptions, the architecture of bankruptcy could be examined in a systematic approach of all the cases that are already detected. The unified fields of normality and a fragmented field of the aftrer bankruptcy world seem to create the conditions for unprecedented acts of reform. The after bankruptcy world can be read as a period of reinvestigation and redistributions of former interrelated elements and create new congregations. It seems that in this ongoing era some curatorial practices concerning unexpected grouppings of material in surplus have a particular meaning. Ecology treats the surplus of civilization as a mass to be deleted.&lt;br /&gt;The systematic approach of the period we run combines some characteristics that are unforeseen. The possibilities of new social spaces in the web, the mobility and the new structure of meetings give to the current financial crisis an orientation towards innovative ways of understanding it. An investigation about proposing new programs may apply to the particularities of the nowadays condition. How can the social element be elaborated while we envisage the present financial crisis and the developpement of this particular web infrastructure?&lt;br /&gt;&lt;/div&gt;&lt;div&gt;A nostalgia about a lost past or an effort to reconstitute a broken porcelain is not the direction we may orient an architectonic investigation. On the contrary we detect different possibilities of idiosyncratic congregations and reconstitutions of spaces that may follow unprecedented programs. Architecture may propose forms for existing contents. It may propose contents for existing forms too.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-3514702124222352629?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/3514702124222352629/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/structure-of-bankruptcy.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/3514702124222352629'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/3514702124222352629'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/structure-of-bankruptcy.html' title='the Structure of Bankruptcy'/><author><name>gregorios pharmakis</name><uri>http://www.blogger.com/profile/01268789927881239355</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_rYMXB6kojtQ/SwnUpEO0g0I/AAAAAAAAAsM/u6OJxNQawQk/S220/cd+Antonas.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-7700443271627923973</id><published>2010-08-26T15:07:00.012+03:00</published><updated>2010-09-05T20:18:01.391+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='telecommunication'/><category scheme='http://www.blogger.com/atom/ns#' term='cards'/><category scheme='http://www.blogger.com/atom/ns#' term='archaeology'/><title type='text'>Index Cards</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4929223260/" title="card by hospi-table, on Flickr"&gt;&lt;img alt="card" height="500" src="http://farm5.static.flickr.com/4136/4929223260_11e0113759.jpg" width="340" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;While participants contemplate on the presence of 'archaeological' finds in their projects, another act of reuse took place in the  mise en scene of the final presentation. The pink index cards used to record telecommunication malfunctions found in OTE building, in tonight's exhibition and presentation, will be transformed to &lt;a href="http://www.flickr.com/photos/hospi-table/4935446835/sizes/o/"&gt;indexes&lt;/a&gt; of each group's project providing information on the people, the ideas and the products of kamworkshop2010.&lt;br /&gt;&lt;br /&gt;&lt;img alt="the " bankruptcy="" height="500" of="" src="http://farm5.static.flickr.com/4120/4936213762_ae8ae84755.jpg" width="334" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-7700443271627923973?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/7700443271627923973/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/index-cards.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7700443271627923973'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7700443271627923973'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/index-cards.html' title='Index Cards'/><author><name>petros</name><uri>http://www.blogger.com/profile/08771784771632300917</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4136/4929223260_11e0113759_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-8491955796197948721</id><published>2010-08-26T12:00:00.001+03:00</published><updated>2010-08-26T12:00:59.372+03:00</updated><title type='text'>Archaeology of Telecommunications</title><content type='html'>The visit to OTE Building in Chania could be described as commitment to an archaeology, undertaken through examination of contemporary architectural ruins and remains of a previous technological era that came already to an end. Detached from their former state of operation, the material was left unused and discredited, transformed from a functioning mechanical system of distributing communication and an ordered, useable, stored material to heterogeneous populations of fragments occupying an empty building. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/hospi-table/4927350097/" title="IMG_2757 by hospi-table, on Flickr"&gt;&lt;img src="http://farm5.static.flickr.com/4079/4927350097_6b8cf1a8c2.jpg" width="375" height="500" alt="IMG_2757" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This year's workshop investigated the significance of reconsidering the technological equipment of OTE's telecommunication infrastructure in many other levels and as a layer of reading 'bankruptcy of architecture'. The study of the building was connected to a second detachment process, where objects were selectively collected form piles of paraphernalia removed from the place they were found only to form new heterogenous collections&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/hospi-table/4927859364/" title="archaelogy of telecommunications by hospi-table, on Flickr"&gt;&lt;img src="http://farm5.static.flickr.com/4139/4927859364_7e448f8201.jpg" width="500" height="458" alt="archaelogy of telecommunications" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-8491955796197948721?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/8491955796197948721/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/archaeology-of-telecommunications_26.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8491955796197948721'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8491955796197948721'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/archaeology-of-telecommunications_26.html' title='Archaeology of Telecommunications'/><author><name>petros</name><uri>http://www.blogger.com/profile/08771784771632300917</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4079/4927350097_6b8cf1a8c2_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-337187414376408411</id><published>2010-08-26T02:08:00.029+03:00</published><updated>2010-08-30T15:33:37.164+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='bankruptcy'/><category scheme='http://www.blogger.com/atom/ns#' term='Zabriskie point'/><category scheme='http://www.blogger.com/atom/ns#' term='fragments'/><category scheme='http://www.blogger.com/atom/ns#' term='explosion'/><title type='text'>The origin of the explosion</title><content type='html'>&lt;div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;In the common understanding of bankruptcy, notions such as failure, collapse and crises are often called upon to describe the exact condition. Destruction and ruins are the obvious 'allegories' while ideas of reuse and recycling appear as positive strategies to deal with the accumulation of cultural products.&lt;br /&gt;&lt;br /&gt;In this context and the context of this year's workshop dealing with 'bankruptcy of architecture' we may throw a retrospective look to Antonioni's film of 1970 "Zabriskie point"; its final scene presents a building in the desert exploding together with an explosion of everyday life objects and furniture. In this 'dream' of destruction one can trace the concerns and anxieties of the time and the rising theoretical and social critique to western modernism. The sequence of the described explosion can have an exemplary treatment, dealing with some concepts, presented in the studio. A main concern has to do with the question of the origin of the explosion mechanism. We can detect in this procedure a double situation constituted by a unity and a multiplicity or a plethora. We suggest that the triple elaboration of this fragment has to do with different concepts concerning the bankruptcy rationale: &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;1. a reversed playback of the last scene that goes from chaos to unity, from ruins and fragments to complete and whole buildings and objects; an end of the bankruptcy rationale would be a reconstitution of a unity.&lt;br /&gt;&lt;br /&gt;&lt;object height="246" width="580"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Z1aNhmwBScI&amp;amp;hl=en&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/Z1aNhmwBScI&amp;amp;hl=en&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="580" height="246"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;2. fragments floating… chaotic dispersion, population of fragments, never forming any unity; the bankruptcy operates as a catalyst for the breakdown of any possible unit.&lt;br /&gt;&lt;br /&gt;&lt;object height="107" width="280"&gt;&lt;param name="movie" value="http://www.youtube.com/v/kUxZobZZpaQ?fs=1&amp;amp;hl=en_US&amp;amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/kUxZobZZpaQ?fs=1&amp;amp;hl=en_US&amp;amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="215" height="107"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;3. &lt;a href="http://s882.photobucket.com/albums/ac29/hospi_table/The%20origin%20of%20the%20explosion/"&gt;short and framed extracts&lt;/a&gt; highlighting cycles of unity and destruction in endless loops; unity and fragmentation are exchanging roles, unification of system values follow deconstruction of them in an endless scheme.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://farm5.static.flickr.com/4118/4940942629_5858bc807f_o.gif" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;We may suggest that the time of crises and the bankruptcy of the post-war social and economical system the film represents the desire for change and utopian thinking. The three distorted remakes of this final scene are operated in order to rehandle the concept of bankruptcy today. Chaos to unity, fragmentation and population, dispersion and unification.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-337187414376408411?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/337187414376408411/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/origin-of-explosion_1035.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/337187414376408411'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/337187414376408411'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/origin-of-explosion_1035.html' title='The origin of the explosion'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-2097070085282008222</id><published>2010-08-26T01:27:00.000+03:00</published><updated>2010-08-26T01:27:07.900+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Karanastasi'/><category scheme='http://www.blogger.com/atom/ns#' term='talk'/><title type='text'>Articulated Structures</title><content type='html'>&amp;nbsp;&lt;object data="http://d1.scribdassets.com/ScribdViewer.swf" height="500" id="doc_167446907193777" name="doc_167446907193777" rel="media:presentation" resource="http://d1.scribdassets.com/ScribdViewer.swf?document_id=36428259&amp;amp;access_key=key-1x2xvelxy728gkm8xq7k&amp;amp;page=1&amp;amp;viewMode=list" style="outline: medium none;" type="application/x-shockwave-flash" width="100%"&gt; &lt;param name="movie" value="http://d1.scribdassets.com/ScribdViewer.swf"&gt;&lt;param name="wmode" value="opaque"&gt;&lt;param name="bgcolor" value="#ffffff"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;param name="FlashVars" value="document_id=36428259&amp;access_key=key-1x2xvelxy728gkm8xq7k&amp;page=1&amp;viewMode=list"&gt;&lt;embed id="doc_167446907193777" name="doc_167446907193777" src="http://d1.scribdassets.com/ScribdViewer.swf?document_id=36428259&amp;access_key=key-1x2xvelxy728gkm8xq7k&amp;page=1&amp;viewMode=list" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="500" width="100%" wmode="opaque" bgcolor="#ffffff"&gt;&lt;/embed&gt; &lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;Elina Karanastasi discussed different models of hierarchies: networks, rules, framework... she closed the presentation contemplating on the concept of 'bankruptcy', negating its pessimistic content&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="status-body"&gt;&lt;span class="status-content"&gt;&lt;span class="entry-content"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-2097070085282008222?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/2097070085282008222/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/articulated-structures.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/2097070085282008222'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/2097070085282008222'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/articulated-structures.html' title='Articulated Structures'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-515101717504173469</id><published>2010-08-26T00:59:00.002+03:00</published><updated>2010-08-26T01:27:36.909+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='housing'/><category scheme='http://www.blogger.com/atom/ns#' term='garbage'/><category scheme='http://www.blogger.com/atom/ns#' term='book'/><title type='text'>Garbage Housing</title><content type='html'>&lt;img src="http://farm5.static.flickr.com/4135/4926695609_e7688b9b06_o.gif" /&gt;&lt;br /&gt;&lt;a href="http://openlibrary.org/books/OL5196934M/Garbage_housing"&gt;&lt;i&gt;Garbage Housing&lt;/i&gt;&lt;/a&gt; by Martin Pawley. A useful reading proposed by Elina Karanastasi.&lt;br /&gt;&lt;br /&gt;See more photos &lt;a href="http://www.flickr.com/photos/hospi-table/sets/72157624683206565/with/4927814082/"&gt;here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-515101717504173469?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/515101717504173469/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/garbage-housing.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/515101717504173469'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/515101717504173469'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/garbage-housing.html' title='Garbage Housing'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-7585590632581150571</id><published>2010-08-24T21:22:00.001+03:00</published><updated>2010-08-24T21:29:36.942+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mantzou'/><category scheme='http://www.blogger.com/atom/ns#' term='Karanastasi'/><category scheme='http://www.blogger.com/atom/ns#' term='Antonas'/><category scheme='http://www.blogger.com/atom/ns#' term='talk'/><title type='text'>3 afternoon talks during the workshop</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4924153602/" title="Antonas talks by hospi-table, on Flickr"&gt;&lt;img alt="Antonas talks" height="375" src="http://farm5.static.flickr.com/4120/4924153602_513d816227.jpg" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/antonas/collections/72157594587838851/"&gt;A. Antonas&lt;/a&gt;, &lt;i&gt;Archaeologies of the Given&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/hospi-table/4923574443/" title="E. Karanastasi talks by hospi-table, on Flickr"&gt;&lt;img alt="E. Karanastasi talks" height="375" src="http://farm5.static.flickr.com/4141/4923574443_9e66970a05.jpg" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.karanastasi.blogspot.com/"&gt;Elina Karanastasi&lt;/a&gt;,&amp;nbsp;&lt;i&gt;Articulated Configurations of the Trivial and the Unusable&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/hospi-table/4924260666/" title="P. Mantziou talks by hospi-table, on Flickr"&gt;&lt;img alt="P. Mantziou talks" height="375" src="http://farm5.static.flickr.com/4140/4924260666_87db55b43e.jpg" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;Polyxeni Mantzou,&amp;nbsp;&lt;i&gt;Architecture's Bancus Ruptus or Route&lt;/i&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-7585590632581150571?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/7585590632581150571/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/3-afternoon-talks-during-workshop.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7585590632581150571'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7585590632581150571'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/3-afternoon-talks-during-workshop.html' title='3 afternoon talks during the workshop'/><author><name>andy cropy</name><uri>http://www.blogger.com/profile/13458481320920973461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://2.bp.blogspot.com/-5dejCQVC45E/TX1h6s-UTuI/AAAAAAAAA2Y/XNm5MxorhQs/s1600/wrksphre.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4120/4924153602_513d816227_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-4925275515602001203</id><published>2010-08-24T17:44:00.006+03:00</published><updated>2010-09-01T16:11:00.330+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='bankruptcy'/><category scheme='http://www.blogger.com/atom/ns#' term='Dimitriadis'/><category scheme='http://www.blogger.com/atom/ns#' term='Antonas'/><category scheme='http://www.blogger.com/atom/ns#' term='talk'/><title type='text'>The discussion between D. Dimitriadis and A. Antonas</title><content type='html'>&lt;embed height="345" src="http://www.box.net//static/flash/box_explorer.swf?widget_hash=7bagfum062&amp;amp;v=1&amp;amp;cl=0" type="application/x-shockwave-flash" width="460" wmode="transparent"&gt;&lt;/embed&gt;&lt;br /&gt;&lt;br /&gt;See videos from the discussion &lt;a href="http://www.flickr.com/photos/hospi-table/tags/dimitriades/show/"&gt;here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-4925275515602001203?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/4925275515602001203/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/d-dimitriadis-discusses-with-antonas.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4925275515602001203'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4925275515602001203'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/d-dimitriadis-discusses-with-antonas.html' title='The discussion between D. Dimitriadis and A. Antonas'/><author><name>andy cropy</name><uri>http://www.blogger.com/profile/13458481320920973461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://2.bp.blogspot.com/-5dejCQVC45E/TX1h6s-UTuI/AAAAAAAAA2Y/XNm5MxorhQs/s1600/wrksphre.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-642769891398137451</id><published>2010-08-24T16:21:00.000+03:00</published><updated>2010-08-24T16:21:58.839+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='mid-presentations'/><title type='text'>Mid-presentations</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4923408424/" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" title="mid-presentations by hospi-table, on Flickr"&gt;&lt;img alt="mid-presentations" height="200" src="http://farm5.static.flickr.com/4076/4923408424_36eb5146ee_o.gif" width="200" /&gt;&lt;/a&gt;&lt;br /&gt;8 groups presented their work during the mid-Presentation of kamworkshop2010 that took place on Sunday 22/8 in CAM, Chania. E.Baraona Pohl, A.Balestrero, D.Isaias, E.Karanastasi, N.Patsavos, G.Panetsos and A.Rodi were the commentators and gave a positive feedback to the participants trying also to handle with the challenging context of the workshops theme: "the Bankruptcy of Architecture".&lt;br /&gt;&lt;br /&gt;Ethel_Baraona wrote on this:&amp;nbsp;&lt;i&gt;So, after the mid-presentations that where mostly focused in terms like "public space" "materials re-use" and "mobility" among others, it's a good task to take a moment to read Love's reflections on this issue. As he said:&amp;nbsp;For this framework to flourish, design speculation will need to focus on the cultural and social implications of re-imagined building types and potential urbanisms rather than on their economic and functional performance.&amp;nbsp;&lt;/i&gt;D.Isaias: during the presentations also suggested that&amp;nbsp;&lt;i&gt;flexibility is not only a technical issue but an institutional one, as well.&amp;nbsp;&lt;/i&gt;G.Panetsos asked the same question in a more direct manner: &lt;i&gt;Who is paying for free public space and its maintenance&lt;/i&gt;.&lt;br /&gt;&lt;br /&gt;The commentators' reality check of the projects is an opportunity for the working groups to reconceptualise their strategies in order to create more solid design-narratives.&amp;nbsp;We are anticipating the final presentation that will take place on the 26th of August.&lt;br /&gt;&lt;br /&gt;For now visit the &lt;a href="http://www.flickr.com/photos/hospi-table/sets/72157624672283897/with/4923408424/"&gt;flickr set&lt;/a&gt; by A.Balestrero who documented the mid-presentation and stay tuned with&amp;nbsp;&lt;a href="http://twitter.com/kamworkshops"&gt;kamworkshops tweets&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-642769891398137451?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/642769891398137451/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/mid-presentations.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/642769891398137451'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/642769891398137451'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/mid-presentations.html' title='Mid-presentations'/><author><name>andy cropy</name><uri>http://www.blogger.com/profile/13458481320920973461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://2.bp.blogspot.com/-5dejCQVC45E/TX1h6s-UTuI/AAAAAAAAA2Y/XNm5MxorhQs/s1600/wrksphre.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-1059283634849878072</id><published>2010-08-24T13:39:00.004+03:00</published><updated>2010-08-24T17:44:56.579+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='reuse'/><category scheme='http://www.blogger.com/atom/ns#' term='projects'/><category scheme='http://www.blogger.com/atom/ns#' term='typologies'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='re-think'/><title type='text'>conceptual reference...</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_XFTRqZHU1-Y/THOiQCU_-dI/AAAAAAAAAzc/g_w158Ys-EY/s1600/5609_118518964354_634304354_2357951_1379382_n.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5508925165590804946" src="http://1.bp.blogspot.com/_XFTRqZHU1-Y/THOiQCU_-dI/AAAAAAAAAzc/g_w158Ys-EY/s400/5609_118518964354_634304354_2357951_1379382_n.jpg" style="display: block; height: 400px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center; width: 267px;" /&gt;&lt;/a&gt;&lt;br /&gt;how to transform an unused functional building into something completely new and successfull?&lt;br /&gt;how does this strategy applies to OTE building?&lt;br /&gt;is it possible?&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.thehighline.org/"&gt;the high line&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.dsrny.com/"&gt;diller scofidio + renfro&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-1059283634849878072?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/1059283634849878072/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/conceptual-reference.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1059283634849878072'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1059283634849878072'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/conceptual-reference.html' title='conceptual reference...'/><author><name>andrea balestrero</name><uri>http://www.blogger.com/profile/01994764916799534822</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/_XFTRqZHU1-Y/S9NNCNtDCKI/AAAAAAAAAlA/a0fvMRCEsh0/S220/n634304354_561300_7940.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_XFTRqZHU1-Y/THOiQCU_-dI/AAAAAAAAAzc/g_w158Ys-EY/s72-c/5609_118518964354_634304354_2357951_1379382_n.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-1811641574839384092</id><published>2010-08-24T12:33:00.003+03:00</published><updated>2010-08-24T12:38:43.861+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='One Wilshire'/><category scheme='http://www.blogger.com/atom/ns#' term='hotel'/><category scheme='http://www.blogger.com/atom/ns#' term='telecommunication'/><category scheme='http://www.blogger.com/atom/ns#' term='building'/><category scheme='http://www.blogger.com/atom/ns#' term='Tzirtzilakis'/><category scheme='http://www.blogger.com/atom/ns#' term='OTE'/><title type='text'>Data Hotels, Carrier Hotels or Teleco Hotels</title><content type='html'>A New Hybrid Typology for the future of Telecommunication Buildings&lt;br /&gt;&lt;br /&gt;by Yorgos Tzirtzilakis&lt;br /&gt;&lt;br /&gt;1. The last years the OTE Building in Chania became vacant… With offices empty, the building seemed as "a modern ghost building." What will become in the future? We can imagine, or suppose -and with whom conditions- his transformation in a type of Mediterranean Data Hotel (related to Middle East)?&lt;br /&gt;&lt;br /&gt;What is a Data, or Carrier Hotel?: “Within cities, lines concentrate in carrier “hotels,” otherwise known as telco or "telecom hotels". The history of the carrier hotel at the &lt;a href="http://coresite.com/One-Wilshire-Los-Angeles-data-center.php"&gt;One Wilshire&lt;/a&gt; tower in Los Angeles is an example of the current system. One Wilshire is a hotel, a teleco, or data hotel, functioning as communications hub for the Western US and leasing space to over 260 telecom related companies. One Wilshire embodies the invisible physical spatiality supporting the virtual space of telecommunications and networking. As corporations eager to take advantage of high data bandwidth move into or near the tower, over a dozen nearby buildings have been converted to teleco hotels, reviving the real estate market in southwest downtown. But the fiber leading out of One Wilshire remains invisible” (&lt;a href="http://varnelis.net/topics/one_wilshire"&gt;Kazys Varnelis&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/hospi-table/4923110294/" title="One Wilshire, Photo Dave Bullock-Wired by hospi-table, on Flickr"&gt;&lt;img alt="One Wilshire, Photo Dave Bullock-Wired" height="333" src="http://farm5.static.flickr.com/4075/4923110294_d65059665a.jpg" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://coresite.com/One-Wilshire-Los-Angeles-data-center.php"&gt;One Wilshire Data Center&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/hospi-table/4923118968/" title="gospel.indd by hospi-table, on Flickr"&gt;&lt;img alt="gospel.indd" height="285" src="http://farm5.static.flickr.com/4100/4923118968_6b3555ef3c.jpg" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Gospel of Judas. Download &lt;a href="http://www.portabledocument.org/pd_books_AUDC_gospel.html"&gt;here&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;2. Three symbolic buildings of OTE in Greece. OTE (Hellenic Telecommunications Organization) was founded on 23 October 1949.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/hospi-table/4923109980/" title="O.T.E. Tower, 102-104, 3th Septemvriou Street, Athens by hospi-table, on Flickr"&gt;&lt;img alt="O.T.E. Tower, 102-104, 3th Septemvriou Street, Athens" height="375" src="http://farm5.static.flickr.com/4074/4923109980_a1a11d254e.jpg" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;OTE Tower in the 3th Septemvriou Street&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/hospi-table/4923110820/" title="OTE tower, Thessaloniki by hospi-table, on Flickr"&gt;&lt;img alt="OTE tower, Thessaloniki" height="375" src="http://farm5.static.flickr.com/4134/4923110820_50d8ded79a.jpg" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;OTE Tower in Thessaloniki&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/hospi-table/4923110492/" title="OTE main building, Athens by hospi-table, on Flickr"&gt;&lt;img alt="OTE main building, Athens" height="369" src="http://farm5.static.flickr.com/4142/4923110492_a01c9092a6.jpg" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;OTE Central Building in Kifissias Avenue, Athens&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-1811641574839384092?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/1811641574839384092/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/data-hotels-carrier-hotels-or-teleco.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1811641574839384092'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1811641574839384092'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/data-hotels-carrier-hotels-or-teleco.html' title='Data Hotels, Carrier Hotels or Teleco Hotels'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4075/4923110294_d65059665a_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-9018185231830783724</id><published>2010-08-24T12:06:00.013+03:00</published><updated>2010-08-24T12:50:25.462+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='bankruptcy'/><category scheme='http://www.blogger.com/atom/ns#' term='projects'/><category scheme='http://www.blogger.com/atom/ns#' term='utopias'/><category scheme='http://www.blogger.com/atom/ns#' term='articles'/><title type='text'>Recommended reading | Paper Architecture, Emerging Urbanism</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_T2oNM-298EQ/THOML9XZ4sI/AAAAAAAAABY/H0YFDfC1Xf4/s1600/1.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 500px; height: 310px;" src="http://2.bp.blogspot.com/_T2oNM-298EQ/THOML9XZ4sI/AAAAAAAAABY/H0YFDfC1Xf4/s320/1.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5508900906283426498" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:x-small;"&gt;Continuos Monument by Superstudio&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;I just came back with lots of energy and ideas from the first phase of the KAM Workshop the Bankruptcy of Architecture. It was interesting to hear to all the students statements, while the mid presentations on Sunday 22th, about the meaning and ideas of the motto "the Bankruptcy of Architecture".&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;This morning while taking a look to some webs, &lt;a href="http://places.designobserver.com/entry.html?entry=12684" target="_blank"&gt;this article&lt;/a&gt; appeared and I think it's worth reading. Just take a look at some concepts exposed:&lt;/div&gt;&lt;blockquote&gt;The current economic downturn has impacted the building industry and architecture profession more severely than many other market sectors [...] As early as November 2008, when many firms were first jolted by a sudden downturn, John McMorrough, an assistant professor and director of the graduate program in architecture at Ohio State, gave an informal lecture at Northeastern University that sought analogies between the current economic situation and the deep recession in the mid-1970s.&lt;br /&gt;&lt;br /&gt;In a recent issue of Architectural Record, James Murdock asked the question more directly: “Will we see a new generation of "paper architects" — the archetypal figure from the last recession?&lt;/blockquote&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_T2oNM-298EQ/THOOn3hgF3I/AAAAAAAAABg/nP-52ipulnI/s1600/3.jpg"&gt;&lt;img src="http://1.bp.blogspot.com/_T2oNM-298EQ/THOOn3hgF3I/AAAAAAAAABg/nP-52ipulnI/s320/3.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5508903584774756210" style="cursor: pointer; width: 500px; height: 315px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:x-small;"&gt;La Ville Spatiale, Yona Friedman&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://2.bp.blogspot.com/_T2oNM-298EQ/THORlTuPpqI/AAAAAAAAABo/DHUR8AUR4Tc/s1600/2.jpg"&gt;&lt;img src="http://2.bp.blogspot.com/_T2oNM-298EQ/THORlTuPpqI/AAAAAAAAABo/DHUR8AUR4Tc/s320/2.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5508906839339673250" style="cursor: pointer; width: 500px; height: 315px; " /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&lt;span class="Apple-style-span"  style="font-size:x-small;"&gt;In 1980, British architect Ron Herron had this vision for a new Congress Hall conference center for Berlin.&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;b&gt;Tim Love&lt;/b&gt; tries to answer with his article, some important questions about the kind of agendas that the new generation of architects should raise. And he wrote:&lt;/div&gt;&lt;blockquote&gt;One especially promising approach will be to re-embed architecture, as a discipline, within important emerging ideas about the future of urbanism &lt;i&gt;and&lt;/i&gt; the existing realities of the contemporary city. For the discipline of architecture, as articulated in the schools, has long had an ambivalent relationship to these realities. Most architecture curricula are untethered to relevant urban issues, and most do not integrate studio pedagogy within the broader intellectual framework of the city and do not include an urban design studio in the course sequence.&lt;/blockquote&gt;So, after the mid-presentations that where mostly focused in terms like "public space" "materials re-use" and "mobility" among others, it's a good task to take a moment to read Love's reflections on this issue. As he said:&lt;br /&gt;&lt;blockquote&gt;For this framework to flourish, design speculation will need to focus on the cultural and social implications of re-imagined building types and potential urbanisms rather than on their economic and functional performance.&lt;/blockquote&gt;The complete article at the &lt;a href="http://places.designobserver.com/entry.html?entry=12684" target="_blank"&gt;Design Observer&lt;/a&gt;&lt;div&gt;&lt;a href="http://places.designobserver.com/entry.html?entry=12684"&gt;&lt;/a&gt;-----&lt;/div&gt;&lt;div&gt;All images and its original sources can be seen at our Tumblr archive, &lt;a href="http://ethel-baraona.tumblr.com/archive" target="_blank"&gt;here&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-9018185231830783724?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/9018185231830783724/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/recommended-reading-paper-architecture.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/9018185231830783724'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/9018185231830783724'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/recommended-reading-paper-architecture.html' title='Recommended reading | Paper Architecture, Emerging Urbanism'/><author><name>ethel_baraona</name><uri>http://www.blogger.com/profile/10283197198426940208</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://2.bp.blogspot.com/_T2oNM-298EQ/TG0BzbnpNVI/AAAAAAAAAAM/6cC7dCpCPiA/S220/tus-ojos8small.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_T2oNM-298EQ/THOML9XZ4sI/AAAAAAAAABY/H0YFDfC1Xf4/s72-c/1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-8621571973291026392</id><published>2010-08-24T11:10:00.008+03:00</published><updated>2010-08-24T16:00:53.205+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='documentary'/><category scheme='http://www.blogger.com/atom/ns#' term='Loan'/><category scheme='http://www.blogger.com/atom/ns#' term='Theodorou'/><title type='text'>LinaLoan</title><content type='html'>Y.Tzirtzilakis proposes 'Loan' by Lina Theodorou as a reference to this year's preoccupation with derelict buildings.&lt;br /&gt;&lt;br /&gt;Lina Theodorou in "Loan" is documenting the remains of 'bankrupt' places: "ghost factories, depressed areas, abandoned villages and places of no possible interest to tourists". The artist is interested in: "sites and the sights that would give me free rein to redefine the concepts of development and of disaster, and to define a personal mapping of regions that contradict the unreal image projected by the media, folklore documentaries, tourist guides and advertising." By constructing/documenting the image of a dystopic reality is for the artist a way to criticize practices that tend to present a distorted image of reality for commercial or political reasons.&lt;br /&gt;&lt;span class="Apple-style-span" style="color: #0000ee; font-family: georgia;"&gt;&lt;span class="Apple-style-span" style="font-size: large;"&gt;&lt;u&gt;&lt;span class="Apple-style-span" style="color: black; font-family: 'Times New Roman';"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;span class="Apple-style-span" style="font-family: georgia;"&gt; &lt;a href="http://www.blogger.com/com="&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" data="http://www.flickr.com/apps/video/stewart.swf?v=71377" height="297" type="application/x-shockwave-flash" width="400"&gt; &lt;param name="flashvars" value="intl_lang=en-us&amp;amp;photo_secret=dacb6ca6e0&amp;amp;photo_id=4922583101"&gt;&lt;param name="movie" value="http://www.flickr.com/apps/video/stewart.swf?v=71377"&gt;&lt;param name="bgcolor" value="#000000"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;embed type="application/x-shockwave-flash" src="http://www.flickr.com/apps/video/stewart.swf?v=71377" bgcolor="#000000" allowfullscreen="true" flashvars="intl_lang=en-us&amp;amp;photo_secret=dacb6ca6e0&amp;amp;photo_id=4922583101" height="297" width="400"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-8621571973291026392?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/8621571973291026392/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/y.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8621571973291026392'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8621571973291026392'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/y.html' title='LinaLoan'/><author><name>petros</name><uri>http://www.blogger.com/profile/08771784771632300917</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-7533666387550602535</id><published>2010-08-22T03:38:00.005+03:00</published><updated>2010-08-22T03:43:00.824+03:00</updated><title type='text'>Greek Book on the Bankruptcy of Architecture</title><content type='html'>&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.arch.uth.gr/lazaridis.parkour/texts/books&amp;amp;studies/ptwxeysh.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 276px; height: 400px;" src="http://www.arch.uth.gr/lazaridis.parkour/texts/books&amp;amp;studies/ptwxeysh.jpg" border="0" alt="" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;proposed to be read (again), by Yorgos Tzirtzilakis.&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-7533666387550602535?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/7533666387550602535/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/greek-book-on-bankruptcy-of.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7533666387550602535'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7533666387550602535'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/greek-book-on-bankruptcy-of.html' title='Greek Book on the Bankruptcy of Architecture'/><author><name>petros</name><uri>http://www.blogger.com/profile/08771784771632300917</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-6499923654133209141</id><published>2010-08-22T03:03:00.004+03:00</published><updated>2010-08-22T03:36:09.220+03:00</updated><title type='text'>crisis / critic</title><content type='html'>&lt;div&gt;A significant contribution to the discussion of the 'bankruptcy of architecture' was P.Pyla's remark on the common etymological root of &lt;b&gt;crisis&lt;/b&gt; and &lt;b&gt;critic&lt;/b&gt;. While both words originate from the greek word κρίσις (krisis) meaning 'decision', in the 17th century 'crises' was also used to denote a decisive point, in other words a 'critical moment'. Pyla was elaborating on the ways sustainability is becoming the obvious answer to the economic and environmental crises of our time with the fear of becoming a meta-narrative and hegemonic discourse. A first step against such a possibility, Pyla proposed, is the understanding of 'crises' as a time that calls for critic, and critical thinking. &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-6499923654133209141?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/6499923654133209141/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/crisis-critic.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/6499923654133209141'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/6499923654133209141'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/crisis-critic.html' title='crisis / critic'/><author><name>petros</name><uri>http://www.blogger.com/profile/08771784771632300917</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-8874543413848458799</id><published>2010-08-22T02:46:00.009+03:00</published><updated>2010-09-01T14:55:34.623+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='utopias'/><category scheme='http://www.blogger.com/atom/ns#' term='speculative'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='talk'/><title type='text'>Architecture to Construct Realities Beyond Buildings</title><content type='html'>Presentation by Ethel Baraona Pohl [&lt;a href="http://www.dpr-barcelona.com/"&gt;dpr-barcelona&lt;/a&gt;] at the workshop The Bankruptcy of Architecture:&lt;br /&gt;&lt;br /&gt;&lt;a title="View The Bankruptcy of Architecture on Scribd" href="http://www.scribd.com/doc/36230553/The-Bankruptcy-of-Architecture" style="margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;"&gt;The Bankruptcy of Architecture&lt;/a&gt; &lt;object id="doc_648377576902029" name="doc_648377576902029" height="500" width="100%" type="application/x-shockwave-flash" data="http://d1.scribdassets.com/ScribdViewer.swf" style="outline:none;" rel="media:presentation" resource="http://d1.scribdassets.com/ScribdViewer.swf?document_id=36230553&amp;access_key=key-5g0wfwlqfr39bul1iym&amp;page=1&amp;viewMode=list" &gt; &lt;param name="movie" value="http://d1.scribdassets.com/ScribdViewer.swf"&gt;&lt;param name="wmode" value="opaque"&gt;&lt;param name="bgcolor" value="#ffffff"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;param name="FlashVars" value="document_id=36230553&amp;access_key=key-5g0wfwlqfr39bul1iym&amp;page=1&amp;viewMode=list"&gt;&lt;embed id="doc_648377576902029" name="doc_648377576902029" src="http://d1.scribdassets.com/ScribdViewer.swf?document_id=36230553&amp;access_key=key-5g0wfwlqfr39bul1iym&amp;page=1&amp;viewMode=list" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="500" width="100%" wmode="opaque" bgcolor="#ffffff"&gt;&lt;/embed&gt; &lt;/object&gt; &lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;“Who says we cannot know the future? We can, but it always a matter of interpretation, that is, of imagination. If that seems obvious, I should point out something not so obvious: that knowing the present is also always an act of imagination.”&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;-Lebbeus Woods&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-8874543413848458799?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/8874543413848458799/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/architecture-to-construct-realities_22.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8874543413848458799'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8874543413848458799'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/architecture-to-construct-realities_22.html' title='Architecture to Construct Realities Beyond Buildings'/><author><name>ethel_baraona</name><uri>http://www.blogger.com/profile/10283197198426940208</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://2.bp.blogspot.com/_T2oNM-298EQ/TG0BzbnpNVI/AAAAAAAAAAM/6cC7dCpCPiA/S220/tus-ojos8small.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-5300712836625909880</id><published>2010-08-22T01:49:00.004+03:00</published><updated>2010-09-15T00:08:39.341+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='anti-design'/><category scheme='http://www.blogger.com/atom/ns#' term='arctuc'/><category scheme='http://www.blogger.com/atom/ns#' term='Chania'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='workshop'/><category scheme='http://www.blogger.com/atom/ns#' term='recycle'/><title type='text'>Ecoredux02 workshop @ArchTUC</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="https://sites.google.com/site/ecoredux02archtuc/_/rsrc/1281447213251/home/photo%204_blog.jpg?height=300&amp;amp;width=400" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="https://sites.google.com/site/ecoredux02archtuc/_/rsrc/1281447213251/home/photo%204_blog.jpg?height=300&amp;amp;width=400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Recycling projects and ideas of the past in Ecoredux02 workshop @ArchTUC. Today the FINAL REVIEW (all instructors and guest critics, 10AM - 6 PM: )&lt;br /&gt;&lt;br /&gt;more info &lt;a href="https://sites.google.com/site/ecoredux02archtuc/home"&gt;here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-5300712836625909880?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/5300712836625909880/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/ecoredux02-workshop-archtuc.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/5300712836625909880'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/5300712836625909880'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/ecoredux02-workshop-archtuc.html' title='Ecoredux02 workshop @ArchTUC'/><author><name>andy cropy</name><uri>http://www.blogger.com/profile/13458481320920973461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://2.bp.blogspot.com/-5dejCQVC45E/TX1h6s-UTuI/AAAAAAAAA2Y/XNm5MxorhQs/s1600/wrksphre.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-118228210398834798</id><published>2010-08-21T20:52:00.006+03:00</published><updated>2010-08-21T20:57:41.063+03:00</updated><title type='text'>kamworkshops valuable collection</title><content type='html'>&lt;div&gt;see the interesting collection of kamworkshop2010 expanding day after day&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/hospi-table/4912735512/" title="phone distribution by hospi-table, on Flickr"&gt;&lt;img src="http://farm5.static.flickr.com/4095/4912735512_39d3d92b2d.jpg" width="225" height="300" alt="phone distribution" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-118228210398834798?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/118228210398834798/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/kamworkshops-valuable-collection.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/118228210398834798'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/118228210398834798'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/kamworkshops-valuable-collection.html' title='kamworkshops valuable collection'/><author><name>petros</name><uri>http://www.blogger.com/profile/08771784771632300917</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4095/4912735512_39d3d92b2d_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-5095926155428922590</id><published>2010-08-21T13:58:00.004+03:00</published><updated>2010-08-21T14:22:36.848+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='leisure'/><category scheme='http://www.blogger.com/atom/ns#' term='work'/><category scheme='http://www.blogger.com/atom/ns#' term='Tzirtzilakis'/><title type='text'>Free Time Work (No Stop Free Time Work). The Blurred Boundaries Between Work and Free Time (Leisure)</title><content type='html'>by Yorgos Tzirtzilakis&lt;br /&gt;&lt;br /&gt;In late capitalism, the production of life forms and what many are calling biopolitical production, are replacing the work activities and industrial production, resulting in the unprecedented diffusion of working time through the duration of the day and the annulment of the distinction between work and free time (which decisively affects all of our lives). So, side by side with the overproduction of material goods and the supremacy of the weightless immaterial credit sector, there emerge a series of “minor” social, economic and environmental dynamics that mark the end of the Fordian work regime. At their base, these are a series of evolving practices, not always definitive in form, that remain “invisible” in the margin of the conventional social, cultural and political systems of representation.&lt;br /&gt;&lt;br /&gt;&lt;table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/YV7W9vWVCtw?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/YV7W9vWVCtw?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;In the past, the workspaces have been the architectural prototype for the industrial production. Like the Fordist factory, it is built on Taylorist principles of industrial spatial organization.  Yet while the city has been transformed throughout the last few decades by the restructuring forces of Post-fordism, what has happened to the workspaces? Anticipating the further decline of those constitutive oppositions the work activities sort has been built upon (city versus nature, work versus free time (leisure), mind versus body) – thus anticipating that workspace will become ever more relevant in our urban life -like as a no stop activity- the research poses the question as how to rethink work activities a problem of the Post-fordist city.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;If one had to be more specific, the proliferation should be mentioned of alternative lifestyles, the designing of experiences[1] (rather than objects), the dissemination of ecological and non-governmental or independent organizations, volunteerism, contemporary philanthropy, the  ‘new age’, ‘positive externality’, creative classes[2], creative cities, an idealized but also ill-defined participatory culture, the practice of endless discursive prevarications, the bloggers’ culture.  It might be that a few years ago we thought some of these practices to possess an alternative, even anti-capitalist character; today, however, they are components of the Post-Fordist diffusion of the ephemeral and assimilated into the current rhetoric and the managerial model of the modern “microphysics” of power.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;There are some who will find this assertion displeasing. But, since meta-Fordian capitalism is based on the production of life-forms and ground, territory what we designate by punk-aesthetic, alternative counter-culture, interest in graffiti, artistic mode of production even some versions of ecology, including guerilla gardening, belongs to the “formal” economy’s tactic of reappropriation, and therefore to the agenda of the professionals, the technocrats and the politicians. The famous governance is nothing but a way to ascribe value to these social practices, while certain forms of environmentalism are rising up as contemporary platforms of consensus and management of social conflicts and of the extensive urban transformations which are in progress.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;[1] See Joseph Pine II, James H. Gilmore, The Experience Economy: Work Is Theater &amp;amp; Every Business a Stage, Boston Massachusetts, 1999.&lt;/span&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;br /&gt;&lt;/span&gt;  &lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;[2] Richard Florida, The Rise of the Creative Class and How It's Transforming Work, Leisure, Community and Everyday Life, New York 2002. and Who's Your City? How the Creative Economy Is Making Where to Live the Most Important Decision of Your Life, New York 2008.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-5095926155428922590?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/5095926155428922590/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/free-time-work-no-stop-free-time-work.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/5095926155428922590'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/5095926155428922590'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/free-time-work-no-stop-free-time-work.html' title='Free Time Work (No Stop Free Time Work). The Blurred Boundaries Between Work and Free Time (Leisure)'/><author><name>andy cropy</name><uri>http://www.blogger.com/profile/13458481320920973461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://2.bp.blogspot.com/-5dejCQVC45E/TX1h6s-UTuI/AAAAAAAAA2Y/XNm5MxorhQs/s1600/wrksphre.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-6193504047430618708</id><published>2010-08-21T12:58:00.006+03:00</published><updated>2010-08-21T15:27:21.552+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Matta-Clark'/><category scheme='http://www.blogger.com/atom/ns#' term='cutting'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><title type='text'>cutting holes...</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_XFTRqZHU1-Y/TG-jaEtMyFI/AAAAAAAAAzM/zAaBTdp8xVQ/s1600/buco.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5507800537632655442" src="http://2.bp.blogspot.com/_XFTRqZHU1-Y/TG-jaEtMyFI/AAAAAAAAAzM/zAaBTdp8xVQ/s400/buco.jpg" style="cursor: pointer; display: block; height: 254px; margin: 0px auto 10px; text-align: center; width: 400px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;h1 style="font-weight: normal;"&gt;&lt;span style="font-size: 100%;"&gt;&lt;a href="https://www.tate.org.uk/research/tateresearch/tatepapers/07spring/attlee.htm"&gt;Towards Anarchitecture: Gordon Matta-Clark And Le Corbusier &lt;/a&gt;&lt;/span&gt;&lt;/h1&gt;&lt;a href="http://www.mcachicago.org/exhibitions/exh_detail.php?id=174"&gt;Gordon Matta-Clark: "You Are the Measure"&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.ubu.com/film/gmc.html"&gt;&lt;br /&gt;gordon matta clark's movies&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.cabinetmagazine.org/events/oddlots.php"&gt;about gordon matta clark's fake estates&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://mattaclark.pulitzerarts.org/#"&gt;gordon matta-clark urban alchemy&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-6193504047430618708?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/6193504047430618708/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/cutting-holes.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/6193504047430618708'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/6193504047430618708'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/cutting-holes.html' title='cutting holes...'/><author><name>andrea balestrero</name><uri>http://www.blogger.com/profile/01994764916799534822</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/_XFTRqZHU1-Y/S9NNCNtDCKI/AAAAAAAAAlA/a0fvMRCEsh0/S220/n634304354_561300_7940.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_XFTRqZHU1-Y/TG-jaEtMyFI/AAAAAAAAAzM/zAaBTdp8xVQ/s72-c/buco.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-1466612223932749312</id><published>2010-08-21T12:37:00.003+03:00</published><updated>2010-08-21T15:26:49.735+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Edison'/><category scheme='http://www.blogger.com/atom/ns#' term='quote'/><category scheme='http://www.blogger.com/atom/ns#' term='invention'/><title type='text'>invention</title><content type='html'>&lt;a href="http://latecomerforerunner.blogspot.com/2010/07/blog-post_3485.html#links" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5507795231523974018" src="http://1.bp.blogspot.com/_XFTRqZHU1-Y/TG-elN6Tq4I/AAAAAAAAAy8/5EAuvjjlDkM/s400/Schermata+2010-07-19+a+16.10.18.jpg" style="cursor: pointer; display: block; height: 239px; margin: 0px auto 10px; text-align: center; width: 400px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://latecomerforerunner.blogspot.com/"&gt;latecomerforerunner&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-1466612223932749312?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/1466612223932749312/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/invention.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1466612223932749312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1466612223932749312'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/invention.html' title='invention'/><author><name>andrea balestrero</name><uri>http://www.blogger.com/profile/01994764916799534822</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/_XFTRqZHU1-Y/S9NNCNtDCKI/AAAAAAAAAlA/a0fvMRCEsh0/S220/n634304354_561300_7940.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_XFTRqZHU1-Y/TG-elN6Tq4I/AAAAAAAAAy8/5EAuvjjlDkM/s72-c/Schermata+2010-07-19+a+16.10.18.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-1846817526251048644</id><published>2010-08-21T12:35:00.006+03:00</published><updated>2010-08-21T12:53:41.437+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='bankruptcy'/><category scheme='http://www.blogger.com/atom/ns#' term='speculative'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><title type='text'>What to do when there is nothing to do | mammoth</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_T2oNM-298EQ/TG-eGzHUzTI/AAAAAAAAABI/oUIeZVG2OoA/s1600/lateral_farming-salton_1.jpg"&gt;&lt;img style="cursor: pointer; width: 330px; height: 199px;" src="http://1.bp.blogspot.com/_T2oNM-298EQ/TG-eGzHUzTI/AAAAAAAAABI/oUIeZVG2OoA/s320/lateral_farming-salton_1.jpg" alt="" id="BLOGGER_PHOTO_ID_5507794708934741298" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://twitter.com/eatingbark"&gt;&lt;br /&gt;Rob Holmes&lt;/a&gt; and &lt;a href="http://twitter.com/stphnbckr"&gt;Stephen Becker&lt;/a&gt; form &lt;span style="font-weight: bold;"&gt;mammoth&lt;/span&gt; recently published an &lt;a href="http://m.ammoth.us/blog/2010/08/what-to-do-when-there-is-nothing-to-do/"&gt;interview&lt;/a&gt; with Lola Sheppard and Mason White from &lt;a href="http://www.lateralarch.com/master.html"&gt;Latteral Office&lt;/a&gt;, and we found there some interesting thouths to share:&lt;br /&gt;&lt;br /&gt;Mason White pointed&lt;br /&gt;&lt;blockquote&gt;We were asked recently if we were a “trans-disciplinary practice,” and  although it would be convenient to say yes–and likely with much evidence  in the work–I think our preferred answer is that we are  anti-disciplinary … or maybe un-disciplinary. The only time I would say  being undisciplined is intentional and productive.&lt;br /&gt;&lt;br /&gt;[...]&lt;br /&gt;&lt;br /&gt;But over time, our position has solidified more as a specialization on  phenomenon and opportunities that is between categories and disciplines.  For example, I still think the most important magazine to subscribe to  as an architect is the &lt;em&gt;Economist&lt;/em&gt;, not &lt;em&gt;Wallpaper&lt;/em&gt;. Reading the &lt;em&gt;Economist&lt;/em&gt; as an architect, you can see things before they become relevant in architecture, with &lt;em&gt;Wallpaper&lt;/em&gt; or &lt;em&gt;Dwell&lt;/em&gt; you are seeing it after the fact, as a trend.&lt;/blockquote&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://m.ammoth.us/blog/wp-content/uploads/2010/08/lateral-pe_weather-field_1.jpg"&gt;&lt;img style="cursor: pointer; width: 330px; height: 330px;" src="http://m.ammoth.us/blog/wp-content/uploads/2010/08/lateral-pe_weather-field_1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And Sheppard adds:&lt;br /&gt;&lt;blockquote&gt;In most cases the economic and ecologic proposals we are leveraging are  common, even proven models, such as job creation or remediation. Maybe  what makes them unique for us is that they can be positioned in tandem  rather than as oppositions.&lt;/blockquote&gt;Read the complete interview &lt;a href="http://m.ammoth.us/blog/2010/08/what-to-do-when-there-is-nothing-to-do/"&gt;here&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-1846817526251048644?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/1846817526251048644/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/what-to-do-when-there-is-nothing-to-do.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1846817526251048644'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1846817526251048644'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/what-to-do-when-there-is-nothing-to-do.html' title='What to do when there is nothing to do | mammoth'/><author><name>ethel_baraona</name><uri>http://www.blogger.com/profile/10283197198426940208</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://2.bp.blogspot.com/_T2oNM-298EQ/TG0BzbnpNVI/AAAAAAAAAAM/6cC7dCpCPiA/S220/tus-ojos8small.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_T2oNM-298EQ/TG-eGzHUzTI/AAAAAAAAABI/oUIeZVG2OoA/s72-c/lateral_farming-salton_1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-4293344976749270574</id><published>2010-08-21T11:32:00.004+03:00</published><updated>2010-08-24T16:03:10.138+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='retro'/><category scheme='http://www.blogger.com/atom/ns#' term='brazil'/><category scheme='http://www.blogger.com/atom/ns#' term='future'/><title type='text'>retro-future</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://www.engadget.com/2009/02/20/movie-gadget-friday-brazil/" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5507778554961069842" src="http://4.bp.blogspot.com/_XFTRqZHU1-Y/TG-Pag34BxI/AAAAAAAAAyc/TFX4eu4f9Wg/s400/phone-brazil.jpg" style="display: block; height: 238px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; text-align: center; width: 400px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;From Terry Gilliam's "Brazil" movie...&lt;br /&gt;More at &lt;a href="http://www.engadget.com/search/?q=movie+gadget&amp;amp;invocationType=wl-gadget"&gt;movie gadget friday&lt;/a&gt; and &lt;a href="http://www.retrofuture.com/"&gt;retrofuture today&lt;br /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-4293344976749270574?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/4293344976749270574/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/retro-future.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4293344976749270574'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4293344976749270574'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/retro-future.html' title='retro-future'/><author><name>andrea balestrero</name><uri>http://www.blogger.com/profile/01994764916799534822</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://1.bp.blogspot.com/_XFTRqZHU1-Y/S9NNCNtDCKI/AAAAAAAAAlA/a0fvMRCEsh0/S220/n634304354_561300_7940.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_XFTRqZHU1-Y/TG-Pag34BxI/AAAAAAAAAyc/TFX4eu4f9Wg/s72-c/phone-brazil.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-271586134016748183</id><published>2010-08-20T21:24:00.013+03:00</published><updated>2010-08-21T15:31:12.057+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ethel Baraona'/><category scheme='http://www.blogger.com/atom/ns#' term='talk'/><title type='text'>Architecture to construct realities beyond buildings by Ethel Baraona</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4911245279/" title="Ethel Baraona by hospi-table, on Flickr"&gt;&lt;img alt="Ethel Baraona" height="240" src="http://farm5.static.flickr.com/4142/4911245279_4bcff74746_z.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;more photos &lt;a href="http://www.flickr.com/photos/hospi-table/tags/baraona/show/"&gt;here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-271586134016748183?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/271586134016748183/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/architecture-to-construct-realities.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/271586134016748183'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/271586134016748183'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/architecture-to-construct-realities.html' title='Architecture to construct realities beyond buildings by Ethel Baraona'/><author><name>petros</name><uri>http://www.blogger.com/profile/08771784771632300917</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4142/4911245279_4bcff74746_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-8578495299510624608</id><published>2010-08-20T20:58:00.006+03:00</published><updated>2010-09-01T15:01:12.206+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='talk'/><category scheme='http://www.blogger.com/atom/ns#' term='Panayiota Pyla'/><title type='text'>Sustainability Crises by P. Pyla</title><content type='html'>&lt;div&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" data="http://www.flickr.com/apps/video/stewart.swf?v=71377" height="300" type="application/x-shockwave-flash" width="400"&gt; &lt;param name="flashvars" value="intl_lang=en-us&amp;photo_secret=55fd5e99c6&amp;photo_id=4910493795"&gt;&lt;/param&gt;&lt;param name="movie" value="http://www.flickr.com/apps/video/stewart.swf?v=71377"&gt;&lt;/param&gt;&lt;param name="bgcolor" value="#000000"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;embed type="application/x-shockwave-flash" src="http://www.flickr.com/apps/video/stewart.swf?v=71377" bgcolor="#000000" allowfullscreen="true" flashvars="intl_lang=en-us&amp;photo_secret=55fd5e99c6&amp;photo_id=4910493795" height="300" width="400"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;video extract from Panayiota Pyla's (UCy) presentation in KAM, Chania. &lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;div&gt;view videos and photos &lt;a href="http://www.flickr.com/photos/hospi-table/tags/pyla/show/"&gt;here&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-8578495299510624608?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/8578495299510624608/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/sustainability-crises-by-ppyla.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8578495299510624608'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8578495299510624608'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/sustainability-crises-by-ppyla.html' title='Sustainability Crises by P. Pyla'/><author><name>petros</name><uri>http://www.blogger.com/profile/08771784771632300917</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-6717471283588011637</id><published>2010-08-20T19:50:00.000+03:00</published><updated>2010-08-20T19:50:10.211+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='reuse'/><category scheme='http://www.blogger.com/atom/ns#' term='hotel'/><category scheme='http://www.blogger.com/atom/ns#' term='furniture'/><title type='text'>Hotel Ballymun</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.hotelballymun.com/images/clarkeTower.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.hotelballymun.com/images/clarkeTower.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;"From 31st of March to the 27th of April 2007 the top floor of the Clarke Tower, one of the last remaining tower blocks in Ballymun, opened its doors to the public in the form of a unique short stay hotel. Artist Seamus Nolan was commissioned by Breaking Ground, the Ballymun Regeneration per cent for art scheme, to undertake a new work in this changing suburb of Dublin..."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.hotelballymun.com/images/rooms/cc_after_th.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="211" src="http://www.hotelballymun.com/images/rooms/cc_after_th.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;"The rooms were furnished with one-off pieces, customised and remodelled from existing furniture, which were designed and made by people from the Ballymun area, during a two month series of workshops with Irish design duo Sticks and recent RCA graduate Jonathan Legge."&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.hotelballymun.com/rooms.php"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;www.hotelballymun.com/rooms.php&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-6717471283588011637?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/6717471283588011637/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/hotel-ballymun.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/6717471283588011637'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/6717471283588011637'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/hotel-ballymun.html' title='Hotel Ballymun'/><author><name>andy cropy</name><uri>http://www.blogger.com/profile/13458481320920973461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://2.bp.blogspot.com/-5dejCQVC45E/TX1h6s-UTuI/AAAAAAAAA2Y/XNm5MxorhQs/s1600/wrksphre.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-3427473613909579214</id><published>2010-08-20T12:11:00.007+03:00</published><updated>2010-08-21T15:31:08.621+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Jencks'/><category scheme='http://www.blogger.com/atom/ns#' term='Elias Konstantopoulos'/><category scheme='http://www.blogger.com/atom/ns#' term='adhocism'/><category scheme='http://www.blogger.com/atom/ns#' term='re-think'/><category scheme='http://www.blogger.com/atom/ns#' term='talk'/><title type='text'>Elias Konstantopoulos lecture</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4911844150/" title="Elias Konstantopoulos by hospi-table, on Flickr"&gt;&lt;img alt="Elias Konstantopoulos" height="240" src="http://farm5.static.flickr.com/4102/4911844150_aae047a7ea_z.jpg" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;view more photos &lt;/span&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;&lt;a href="http://www.flickr.com/photos/hospi-table/tags/konstantopoulos/show/"&gt;here&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;Elias Konstantopoulos lecture about "Re-think / Re-design" brings forward the notion of 'adhocism' introduced by Charles Jencks. See the &lt;/span&gt;&lt;a href="http://www.answers.com/topic/adhocism"&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;definition&lt;/span&gt;&lt;/a&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt; of this forgotten term:&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-size: medium;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="font-family: Verdana, Arial, Helvetica, sans-serif; line-height: 17px;"&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Notions of ‘Adhocism’ were coined by architectural designer, theorist, and sometime designer Charles Jencks&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; and Nathan Silver in their book &lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;Adhocism: The Case for Improvisation&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; (1972). They considered the ways in which designers could take immediate action through the use of readily available components in ways that had never been conceived in their original design. Hippy communities in the United States had explored some of these ideas in the 1960s, as in Drop City, where dome dwellings were constructed from car roofs bought cheaply from scrapyards, reusing materials abandoned by the consumer society. Some positive aspects of this outlook were to be found in &lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt;The Whole Earth Catalogue&lt;/span&gt;&lt;/i&gt;&lt;i&gt;&lt;span class="Apple-style-span" style="font-size: small;"&gt; of 1968, an encyclopaedia of alternative ways of living and suppliers of the means of doing so.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-3427473613909579214?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/3427473613909579214/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/elias-konstantopoulos-lecture.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/3427473613909579214'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/3427473613909579214'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/elias-konstantopoulos-lecture.html' title='Elias Konstantopoulos lecture'/><author><name>petros</name><uri>http://www.blogger.com/profile/08771784771632300917</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4102/4911844150_aae047a7ea_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-4692155191160274959</id><published>2010-08-19T20:49:00.004+03:00</published><updated>2010-08-21T03:26:21.315+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='workspheres'/><category scheme='http://www.blogger.com/atom/ns#' term='exhibition'/><category scheme='http://www.blogger.com/atom/ns#' term='design'/><category scheme='http://www.blogger.com/atom/ns#' term='MoMa'/><title type='text'>Workspheres</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_KEUqxnuoyFk/TG8dF0o3pJI/AAAAAAAAAxA/YM86Ib3z_Sw/s1600/wrksphre.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://4.bp.blogspot.com/_KEUqxnuoyFk/TG8dF0o3pJI/AAAAAAAAAxA/YM86Ib3z_Sw/s200/wrksphre.jpg" width="138" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://www.moma.org/interactives/exhibitions/2001/workspheres/"&gt;Workspheres&lt;/a&gt; examines the balance between work and life, and the our ever-changing work paradigms. The exhibition of MoMA features six built concepts of work tools and environments. The concepts bring to life visions of the near future and range in size and type from entire working environments to computer interfaces and personal accessories.&lt;br /&gt;&lt;div&gt;&lt;a href="http://www.moma.org/interactives/exhibitions/2001/workspheres"&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;www.moma.org/interactives/exhibitions/2001/workspheres&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-4692155191160274959?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/4692155191160274959/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/workspheres.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4692155191160274959'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4692155191160274959'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/workspheres.html' title='Workspheres'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_KEUqxnuoyFk/TG8dF0o3pJI/AAAAAAAAAxA/YM86Ib3z_Sw/s72-c/wrksphre.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-4086762377417762497</id><published>2010-08-19T20:43:00.015+03:00</published><updated>2010-08-21T15:32:54.966+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='GruppoA12'/><category scheme='http://www.blogger.com/atom/ns#' term='Balestero'/><category scheme='http://www.blogger.com/atom/ns#' term='talk'/><title type='text'>Andrea Balestrero: Shanty Functionalism</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_YLPoAoF0L6g/TG1ro-eko4I/AAAAAAAAABg/werMXTqW8Lo/s1600/gruppo_A12.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="240" src="http://3.bp.blogspot.com/_YLPoAoF0L6g/TG1ro-eko4I/AAAAAAAAABg/werMXTqW8Lo/s320/gruppo_A12.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;A. Balestero presents his teams' work,&amp;nbsp;&lt;a href="http://www.gruppoa12.org/"&gt;www.gruppoa12.org&lt;/a&gt;. More photos&amp;nbsp;&lt;a href="http://www.flickr.com/photos/hospi-table/tags/balestrero/show/"&gt;here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-4086762377417762497?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/4086762377417762497/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/andrea-balestrero-shanty-functionalism.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4086762377417762497'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4086762377417762497'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/andrea-balestrero-shanty-functionalism.html' title='Andrea Balestrero: Shanty Functionalism'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_YLPoAoF0L6g/TG1ro-eko4I/AAAAAAAAABg/werMXTqW8Lo/s72-c/gruppo_A12.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-8830938159353666719</id><published>2010-08-19T17:43:00.005+03:00</published><updated>2010-08-19T17:52:30.256+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='anti-design'/><category scheme='http://www.blogger.com/atom/ns#' term='design'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='Tzirtzilakis'/><title type='text'>Anti-design</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4906847629/" title="Archigram L.A.W.U.N. Project (Locally Available World Unseen Networks) Archigram Archive 1969 by hospi-table, on Flickr"&gt;&lt;img alt="Archigram L.A.W.U.N. Project (Locally Available World Unseen Networks) Archigram Archive 1969" height="472" src="http://farm5.static.flickr.com/4082/4906847629_3d934f73e5.jpg" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span class="Apple-style-span" style="font-size: x-small;"&gt;Archigram L.A.W.U.N. Project (Locally Available World Unseen Networks) Archigram Archive 1969&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A &lt;a href="http://www.flickr.com/photos/hospi-table/sets/72157624634702305/with/4906847629/"&gt;collection of projects&lt;/a&gt; that criticize the rational systems of organization and establishes a link between building and furnishing objects. The project becomes a series of tables, chairs and other objects, the domestic and the urban coincide. &lt;br /&gt;&lt;br /&gt;Much like the process of Freudian therapy, these projects was to serve as diagnosis and cure, radicalizing the furniture tradition and the rational organisation of the workspace to the extreme. &lt;br /&gt;&lt;br /&gt;by Yorgos Tzirtzilakis&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-8830938159353666719?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/8830938159353666719/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/anti-design.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8830938159353666719'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8830938159353666719'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/anti-design.html' title='Anti-design'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4082/4906847629_3d934f73e5_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-2904245930158909689</id><published>2010-08-19T16:54:00.011+03:00</published><updated>2010-09-01T14:58:38.364+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='archizoom'/><category scheme='http://www.blogger.com/atom/ns#' term='radical'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='Tzirtzilakis'/><category scheme='http://www.blogger.com/atom/ns#' term='talk'/><title type='text'>Y.Tzirtzilakis interception on ArchiZoom</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://1.bp.blogspot.com/_YLPoAoF0L6g/TG1FcQP4cXI/AAAAAAAAABY/eW2VjVwZNe0/s1600/YTz.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://1.bp.blogspot.com/_YLPoAoF0L6g/TG1FcQP4cXI/AAAAAAAAABY/eW2VjVwZNe0/s200/YTz.png" width="148" /&gt;&lt;/a&gt;Yiorgos Tzirtzilakis presented the work of ArchiZoom in the 'radical' italian architecture context of 1960-70s. His presentation -an interception, as he called it- touched on the issue of dealing with 'neutral', 'typical' and 'indifferent' architecture. These concepts were discussed earlier in the workshop after the visit to the OTE building in Chania. Tzirtzilakis presentation aimed to provoke a positive reaction to the building and indifferent or banal architecture while insisting on the 'liberating' effects of non-figurative architecture. The last remark brought a refreshing discussion among the participants on the critical context of the work of ArchiZoom and the relation between politics and architecture.&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: left;"&gt;see videos&amp;nbsp;&lt;a href="http://www.flickr.com/photos/hospi-table/tags/tzirtzilakis/"&gt;here&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-2904245930158909689?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/2904245930158909689/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/ytzirtzilakis-interception-on-archizoom.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/2904245930158909689'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/2904245930158909689'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/ytzirtzilakis-interception-on-archizoom.html' title='Y.Tzirtzilakis interception on ArchiZoom'/><author><name>petros</name><uri>http://www.blogger.com/profile/08771784771632300917</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_YLPoAoF0L6g/TG1FcQP4cXI/AAAAAAAAABY/eW2VjVwZNe0/s72-c/YTz.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-1446386538637943379</id><published>2010-08-19T15:09:00.004+03:00</published><updated>2010-08-19T15:23:12.981+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='OTE building'/><title type='text'>Visiting the OTE Building</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_T2oNM-298EQ/TG0fPwND1tI/AAAAAAAAAA4/MLGL3LCzR3E/s1600/IMG_7256.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 214px;" src="http://2.bp.blogspot.com/_T2oNM-298EQ/TG0fPwND1tI/AAAAAAAAAA4/MLGL3LCzR3E/s320/IMG_7256.jpg" alt="" id="BLOGGER_PHOTO_ID_5507092274842162898" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;As part of the KAM Workshops 2010, the Bankruptcy of Architecture, we visited this morning the OTE building making a time travel and acting like archeologist inside their building in Chania.&lt;br /&gt;&lt;br /&gt;Hellenic Telecommunications Organization (OTE S.A.) is the largest telecommunications provider in Greece. Their infrastructure includes more than 20.000 Km of fiber-optic cables, numerous satellite, submarine and terrestrial cables all over the world. Part of these big infrastructure are their buildings network. This year KAM workshops will deal with architecture in a time of crisis,  focusing in the building we visited, as a paradigmatic case of  insufficiently used buildings in central urban areas.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_T2oNM-298EQ/TG0hPBbyhtI/AAAAAAAAABA/psazJTsklXM/s1600/IMG_7285.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 214px;" src="http://2.bp.blogspot.com/_T2oNM-298EQ/TG0hPBbyhtI/AAAAAAAAABA/psazJTsklXM/s320/IMG_7285.jpg" alt="" id="BLOGGER_PHOTO_ID_5507094461310731986" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;To see a photo-set of the OTE building, please go &lt;a href="http://www.flickr.com/photos/77962574@N00/sets/72157624759124492/show/" target="_blank"&gt;here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-1446386538637943379?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/1446386538637943379/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/visiting-ote-building.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1446386538637943379'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1446386538637943379'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/visiting-ote-building.html' title='Visiting the OTE Building'/><author><name>ethel_baraona</name><uri>http://www.blogger.com/profile/10283197198426940208</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://2.bp.blogspot.com/_T2oNM-298EQ/TG0BzbnpNVI/AAAAAAAAAAM/6cC7dCpCPiA/S220/tus-ojos8small.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_T2oNM-298EQ/TG0fPwND1tI/AAAAAAAAAA4/MLGL3LCzR3E/s72-c/IMG_7256.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-8557626100521407232</id><published>2010-08-19T13:40:00.004+03:00</published><updated>2010-08-19T13:52:05.402+03:00</updated><title type='text'>Yona Friedman | Ville Spatiale in Binckhorst</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_T2oNM-298EQ/TG0KjPGsZVI/AAAAAAAAAAw/4375N0ns3Kg/s1600/webfriedman_binckhorst1.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 229px;" src="http://4.bp.blogspot.com/_T2oNM-298EQ/TG0KjPGsZVI/AAAAAAAAAAw/4375N0ns3Kg/s320/webfriedman_binckhorst1.jpg" alt="" id="BLOGGER_PHOTO_ID_5507069519810291026" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Based on a post on Yona Friedman’s proposal for the Binckhorst, an industrial area in The Hague, we just want to share a thought that we think is quite inspiring:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;In the late fifties and in the sixties I was regarded by some people as a utopian. But I see myself as a realist. In all of my work I have been trying to demonstrate that everything people experience as utopian can actually be realized. So I see my role as that of someone who passes on ideas to reflect on. To make people think. And when I succeed I’m very happy!&lt;/blockquote&gt;&lt;p&gt;&lt;strong&gt;Yona Friedman&lt;/strong&gt; in the documentary &lt;em&gt;Erratic City&lt;/em&gt;, 1997/1998&lt;/p&gt;&lt;p&gt;Read the complete post &lt;a href="http://dprbcn.wordpress.com/2010/03/03/yona-friedman-ville-spatiale-in-binckhorst/" target="_blank"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-8557626100521407232?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/8557626100521407232/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/yona-friedman-ville-spatiale-in.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8557626100521407232'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/8557626100521407232'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/yona-friedman-ville-spatiale-in.html' title='Yona Friedman | Ville Spatiale in Binckhorst'/><author><name>ethel_baraona</name><uri>http://www.blogger.com/profile/10283197198426940208</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='30' height='32' src='http://2.bp.blogspot.com/_T2oNM-298EQ/TG0BzbnpNVI/AAAAAAAAAAM/6cC7dCpCPiA/S220/tus-ojos8small.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_T2oNM-298EQ/TG0KjPGsZVI/AAAAAAAAAAw/4375N0ns3Kg/s72-c/webfriedman_binckhorst1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-3119760761933357301</id><published>2010-08-18T19:26:00.003+03:00</published><updated>2010-08-18T19:36:19.234+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='graphic design'/><category scheme='http://www.blogger.com/atom/ns#' term='experimental jet set'/><category scheme='http://www.blogger.com/atom/ns#' term='existing building'/><category scheme='http://www.blogger.com/atom/ns#' term='sign system'/><title type='text'>Sign System for a Temporary Museum</title><content type='html'>&lt;img style="width: 187px; height: 140px;" src="http://www.experimentaljetset.nl/images/stories/2004/experimental_jetset_smcs_entrance.jpg" alt="experimental_jetset_smcs_entrance" /&gt;&lt;img style="width: 108px; height: 140px;" src="http://www.experimentaljetset.nl/images/stories/2004/experimental_jetset_smcs_prixderome.jpg" alt="experimental_jetset_smcs_prixderome" /&gt;&lt;img style="width: 108px; height: 140px;" alt="experimental_jetset_smcs" src="http://www.experimentaljetset.nl/images/stories/2004/experimental_jetset_smcs.jpg" /&gt;&lt;br /&gt;"To underline the temporary, interim character of the location, we  decided to compose the sign system entirely of so-called 'document  holders': hard plastic, transparent A4 cases. This proved to be a very  easy and practical system. We would print out the A4s ourselves, and  just fill the holders with them.&lt;br /&gt;&lt;br /&gt;Added to these more pragmatic  reasons, the bureaucratic aesthetic of the document holders also  referred perfectly to the old function of the location (post office).  Furthermore, this signage system was a way to channel our fascination  for standardised formats (such as the A4 format) and modular systems. We  also liked the fact that the document holder is such a common element  at exhibitions. For our sign system, we took this common element, and we  exaggerated it by blowing it up to absurd proportions: we used 2000 of  these plastic A4 holders in the whole building."&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.experimentaljetset.nl/archive/smcs-signsystem.htmll"&gt;Experimental JetSet&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-3119760761933357301?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/3119760761933357301/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/sign-system-for-temporary-museum.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/3119760761933357301'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/3119760761933357301'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/sign-system-for-temporary-museum.html' title='Sign System for a Temporary Museum'/><author><name>the theory club</name><uri>http://www.blogger.com/profile/11248367169502325865</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-163530108492623558</id><published>2010-08-18T17:55:00.007+03:00</published><updated>2010-08-21T11:01:32.576+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='plan'/><category scheme='http://www.blogger.com/atom/ns#' term='office'/><category scheme='http://www.blogger.com/atom/ns#' term='google'/><title type='text'>Google office</title><content type='html'>&lt;div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="http://www.archdaily.com/wp-content/uploads/2009/11/1258661454-level-02-floor-plan-636x900.jpg" height="400" src="http://www.archdaily.com/wp-content/uploads/2009/11/1258661454-level-02-floor-plan-636x900.jpg" width="282" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Google EMEA Engineering Hub, level 01 floor plan&lt;br /&gt;&amp;nbsp;via&amp;nbsp;&lt;a href="http://www.archdaily.com/41400/google-emea-engineering-hub-camezind-evolution/"&gt;archdaily&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-163530108492623558?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/163530108492623558/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/google-office.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/163530108492623558'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/163530108492623558'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/google-office.html' title='Google office'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-7130760411732869538</id><published>2010-08-18T17:41:00.002+03:00</published><updated>2010-08-19T15:08:29.793+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='no stop city'/><category scheme='http://www.blogger.com/atom/ns#' term='archizoom'/><title type='text'>Archizoom, No Stop City</title><content type='html'>&lt;img alt="[nsc08.jpg]" border="0" height="155" src="http://2.bp.blogspot.com/_tpF2_7rzFMU/SRDLPtqpKTI/AAAAAAAABUk/_-m0axHg-28/s400/nsc08.jpg" width="400" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img alt="[nsc06.jpg]" border="0" height="344" src="http://3.bp.blogspot.com/_tpF2_7rzFMU/SRDLQHicsRI/AAAAAAAABU0/3MRLvCDaN_s/s400/nsc06.jpg" width="400" /&gt;&lt;br /&gt;&lt;br /&gt;via &lt;a href="http://arqueologiadelfuturo.blogspot.com/2008/11/no-stop-city-1970-archizoom.html"&gt;Arqueologia del Futuro&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-7130760411732869538?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/7130760411732869538/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/archizoom-no-stop-city.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7130760411732869538'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7130760411732869538'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/archizoom-no-stop-city.html' title='Archizoom, No Stop City'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_tpF2_7rzFMU/SRDLPtqpKTI/AAAAAAAABUk/_-m0axHg-28/s72-c/nsc08.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-3285046785506420922</id><published>2010-08-18T17:31:00.000+03:00</published><updated>2010-08-18T17:31:07.153+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='dexion'/><title type='text'>dexion builing</title><content type='html'>&lt;img alt="http://www.dexiontech.gr/images/prov-stegastra-b.jpg" src="http://www.dexiontech.gr/images/prov-stegastra-b.jpg" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-3285046785506420922?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/3285046785506420922/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/dexion-builing.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/3285046785506420922'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/3285046785506420922'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/dexion-builing.html' title='dexion builing'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-4053899031439071799</id><published>2010-08-18T17:20:00.006+03:00</published><updated>2010-08-18T17:49:36.936+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='office'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><title type='text'>office-architecture culture</title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_QlbTZ2NForY/TGvtr8xhjUI/AAAAAAAAA6E/_c8KDrKgwcQ/s1600/sumrell-22.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img alt="" border="0" id="BLOGGER_PHOTO_ID_5506756308694568258" src="http://2.bp.blogspot.com/_QlbTZ2NForY/TGvtr8xhjUI/AAAAAAAAA6E/_c8KDrKgwcQ/s400/sumrell-22.jpg" style="cursor: pointer; float: left; height: 239px; margin: 0pt 10px 10px 0pt; width: 400px;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;from Robert Sumrell's &lt;a href="http://audc.org/sites/varnelis.net/files/projects/muzak/book.html"&gt;thesis&lt;/a&gt; see the analysis for office-architecture culture&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-4053899031439071799?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/4053899031439071799/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/from-robert-sumrells-thesis-see.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4053899031439071799'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4053899031439071799'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/from-robert-sumrells-thesis-see.html' title='office-architecture culture'/><author><name>petros</name><uri>http://www.blogger.com/profile/08771784771632300917</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_QlbTZ2NForY/TGvtr8xhjUI/AAAAAAAAA6E/_c8KDrKgwcQ/s72-c/sumrell-22.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-4880245283097978528</id><published>2010-08-18T16:55:00.003+03:00</published><updated>2010-08-19T15:34:05.202+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='map'/><category scheme='http://www.blogger.com/atom/ns#' term='Chania'/><title type='text'>OTE building at Chania</title><content type='html'>&lt;iframe width="500" height="350" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" src="http://maps.google.com/maps/ms?ie=UTF8&amp;amp;hl=en&amp;amp;msa=0&amp;amp;msid=111187898933878979954.00048e1670d05209800df&amp;amp;ll=35.513046,24.022376&amp;amp;spn=0,0&amp;amp;t=k&amp;amp;output=embed"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;small&gt;View &lt;a href="http://maps.google.com/maps/ms?ie=UTF8&amp;amp;hl=en&amp;amp;msa=0&amp;amp;msid=111187898933878979954.00048e1670d05209800df&amp;amp;ll=35.513046,24.022376&amp;amp;spn=0,0&amp;amp;t=k&amp;amp;source=embed" style="color:#0000FF;text-align:left"&gt;KAM workshops&lt;/a&gt; in a larger map&lt;/small&gt;&lt;br /&gt;&lt;br /&gt;see aerial photos &lt;a href="http://www.flickr.com/photos/hospi-table/sets/72157624634692785/"&gt;here&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-4880245283097978528?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' 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src='http://2.bp.blogspot.com/-5dejCQVC45E/TX1h6s-UTuI/AAAAAAAAA2Y/XNm5MxorhQs/s1600/wrksphre.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-7701224911152880346</id><published>2010-08-18T12:57:00.003+03:00</published><updated>2010-08-18T12:59:03.056+03:00</updated><title type='text'>real time news from kamworkshops2010</title><content type='html'>for &lt;a href="http://twitter.com/#search?q=%23kamworkshops2010"&gt;real-time tweets&lt;/a&gt; from CAM, Chania use #kamworkshops2010&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-7701224911152880346?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/7701224911152880346/comments/default' title='Post Comments'/><link rel='replies' type='text/html' 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src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-2049103203400978971</id><published>2010-08-18T12:25:00.001+03:00</published><updated>2010-08-18T12:27:13.161+03:00</updated><title type='text'>Neufert's Office Section</title><content type='html'>&lt;div&gt;&lt;object style="width:420px;height:291px"&gt;&lt;param name="movie" value="http://static.issuu.com/webembed/viewers/style1/v1/IssuuViewer.swf?mode=embed&amp;amp;layout=http%3A%2F%2Fskin.issuu.com%2Fv%2Flight%2Flayout.xml&amp;amp;showFlipBtn=true&amp;amp;documentId=100818091325-7d13dd9e6bdf436db0122b5e68cc87b8&amp;amp;docName=neufert-office_section&amp;amp;username=petros.phokaides&amp;amp;loadingInfoText=Neufert's%20office%20section&amp;amp;et=1282123544878&amp;amp;er=24"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="menu" value="false"&gt;&lt;embed 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src='http://4.bp.blogspot.com/_QlbTZ2NForY/SM0Fl5iF_wI/AAAAAAAAAu0/H4KBcbcVqLI/S220/Image0001_2.JPG'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-7874772940044420837</id><published>2010-08-17T20:52:00.003+03:00</published><updated>2010-08-17T21:00:32.085+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='remake'/><category scheme='http://www.blogger.com/atom/ns#' term='design'/><category scheme='http://www.blogger.com/atom/ns#' term='ikea'/><category scheme='http://www.blogger.com/atom/ns#' term='furniture'/><category scheme='http://www.blogger.com/atom/ns#' term='diy'/><category scheme='http://www.blogger.com/atom/ns#' term='hacking'/><title type='text'>ikea hacker</title><content type='html'>&lt;img src="http://4.bp.blogspot.com/_XGRz6uWGK3I/SCgOWt4zzvI/AAAAAAAADQM/1_uhkszG7FE/s1600/DSC00585.JPG" alt="[DSC00585.JPG]" border="0" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://ikeahacker.blogspot.com/"&gt;ikeahacker.blogspot.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;"...a funked up klippan sofa, an ingenious idea for your pax wardrobe, a creative twist on your kitchen countertop, or even advice on how to finally stop forby stools from wobbling..."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-7874772940044420837?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/7874772940044420837/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/ikea-hacker.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7874772940044420837'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7874772940044420837'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/ikea-hacker.html' title='ikea hacker'/><author><name>andy cropy</name><uri>http://www.blogger.com/profile/13458481320920973461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://2.bp.blogspot.com/-5dejCQVC45E/TX1h6s-UTuI/AAAAAAAAA2Y/XNm5MxorhQs/s1600/wrksphre.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_XGRz6uWGK3I/SCgOWt4zzvI/AAAAAAAADQM/1_uhkszG7FE/s72-c/DSC00585.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-1065212881984058943</id><published>2010-08-17T20:49:00.002+03:00</published><updated>2010-08-17T20:52:33.787+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='bank'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='book'/><title type='text'>Banken und Sparkassen</title><content type='html'>&lt;object width="400" height="300"&gt; &lt;param name="flashvars" value="offsite=true&amp;amp;lang=en-us&amp;amp;page_show_url=%2Fphotos%2Fhospi-table%2Fsets%2F72157624745018774%2Fshow%2F&amp;amp;page_show_back_url=%2Fphotos%2Fhospi-table%2Fsets%2F72157624745018774%2F&amp;amp;set_id=72157624745018774&amp;amp;jump_to="&gt; &lt;param name="movie" value="http://www.flickr.com/apps/slideshow/show.swf?v=71649"&gt; &lt;param name="allowFullScreen" value="true"&gt;&lt;embed type="application/x-shockwave-flash" src="http://www.flickr.com/apps/slideshow/show.swf?v=71649" allowfullscreen="true" flashvars="offsite=true&amp;amp;lang=en-us&amp;amp;page_show_url=%2Fphotos%2Fhospi-table%2Fsets%2F72157624745018774%2Fshow%2F&amp;amp;page_show_back_url=%2Fphotos%2Fhospi-table%2Fsets%2F72157624745018774%2F&amp;amp;set_id=72157624745018774&amp;amp;jump_to=" width="400" height="300"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-1065212881984058943?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/1065212881984058943/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/banken-und-sparkassen.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1065212881984058943'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1065212881984058943'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/banken-und-sparkassen.html' title='Banken und Sparkassen'/><author><name>andy cropy</name><uri>http://www.blogger.com/profile/13458481320920973461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://2.bp.blogspot.com/-5dejCQVC45E/TX1h6s-UTuI/AAAAAAAAA2Y/XNm5MxorhQs/s1600/wrksphre.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-5337880542282861076</id><published>2010-08-17T20:41:00.003+03:00</published><updated>2010-08-17T21:01:16.508+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='modern'/><category scheme='http://www.blogger.com/atom/ns#' term='office'/><category scheme='http://www.blogger.com/atom/ns#' term='table'/><title type='text'>a management table</title><content type='html'>&lt;img alt="http://farm3.static.flickr.com/2022/2142236707_c9fc9a1418.jpg" src="http://farm3.static.flickr.com/2022/2142236707_c9fc9a1418.jpg" /&gt;&lt;br /&gt;&lt;br /&gt;image from an advertisement in the December 1959 issue of Fortune. Taken from &lt;a href="midcenturymodernist.com"&gt;midcenturymodernist.com&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-5337880542282861076?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/5337880542282861076/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/management-table.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/5337880542282861076'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/5337880542282861076'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/management-table.html' title='a management table'/><author><name>andy cropy</name><uri>http://www.blogger.com/profile/13458481320920973461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://2.bp.blogspot.com/-5dejCQVC45E/TX1h6s-UTuI/AAAAAAAAA2Y/XNm5MxorhQs/s1600/wrksphre.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm3.static.flickr.com/2022/2142236707_c9fc9a1418_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-7499621733189129584</id><published>2010-08-17T20:26:00.005+03:00</published><updated>2010-08-18T11:43:55.371+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='typologies'/><category scheme='http://www.blogger.com/atom/ns#' term='office'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><title type='text'>office typologies, furniture organization</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4901384151/" title="office plan by hospi-table, on Flickr"&gt;&lt;img src="http://farm5.static.flickr.com/4096/4901384151_aaf560a3e0_o.gif" width="403" height="403" alt="office plan" /&gt;&lt;/a&gt;&lt;br /&gt;from &lt;a href="http://www.carusostjohn.com/media/artscouncil/history/origins/index.html"&gt;www.carusostjohn.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The building under study brings forward also issues of office typologies and furniture organization. Historically different theories have given priority to the design of the interior office space leading to “neutral” architectural envelopes.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-7499621733189129584?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/7499621733189129584/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/office-typologies-furniture.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7499621733189129584'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7499621733189129584'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/office-typologies-furniture.html' title='office typologies, furniture organization'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-2511487089526388415</id><published>2010-08-17T20:17:00.002+03:00</published><updated>2010-08-17T20:20:53.688+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='plan'/><category scheme='http://www.blogger.com/atom/ns#' term='Chania'/><category scheme='http://www.blogger.com/atom/ns#' term='building'/><title type='text'>the building of OTE in Chania</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4901358889/" title="plan by hospi-table, on Flickr"&gt;&lt;img src="http://farm5.static.flickr.com/4122/4901358889_160b57230f.jpg" width="500" height="344" alt="plan" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;This year KAM workshops will deal with architecture in a time of crisis, focusing in the building of OTE in Chania, as a paradigmatic case of insufficiently used buildings in central urban areas.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-2511487089526388415?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/2511487089526388415/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/building-of-ote-in-chania.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/2511487089526388415'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/2511487089526388415'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/building-of-ote-in-chania.html' title='the building of OTE in Chania'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4122/4901358889_160b57230f_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-1317466477322595264</id><published>2010-08-17T20:12:00.004+03:00</published><updated>2010-08-17T20:19:55.712+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='bankruptcy'/><category scheme='http://www.blogger.com/atom/ns#' term='wikipedia'/><title type='text'>http://en.wikipedia.org/wiki/Bankruptcy</title><content type='html'>“Bankruptcy is a legally declared inability or impairment of ability of an individual or organization to pay its creditors.”&lt;br /&gt;&lt;br /&gt;-&amp;nbsp;&lt;a href="http://en.wikipedia.org/wiki/Bankruptcy"&gt;http://en.wikipedia.org/wiki/Bankruptcy&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-1317466477322595264?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/1317466477322595264/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/bankruptcy-is-legally-declared.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1317466477322595264'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/1317466477322595264'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/bankruptcy-is-legally-declared.html' title='http://en.wikipedia.org/wiki/Bankruptcy'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-7493952994952274499</id><published>2010-08-17T20:11:00.002+03:00</published><updated>2010-08-17T20:21:37.613+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='bankruptcy'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='economy'/><title type='text'></title><content type='html'>bankruptcy is understood as the moment when an economical system declares its inability of sustaining it self and enters another cycle of operation promoting, often radical, measures of restructuring. Can we think of bankruptcy not in terms of failure or collapse -due to past choices- or in terms of utopian and idealized possibilities but as another set of operations that call for a different kind of economy? Or can the processes of restructuring anticipate a new kind of architecture?&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-7493952994952274499?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/7493952994952274499/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/bankruptcy-is-understood-as-moment-when.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7493952994952274499'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/7493952994952274499'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/bankruptcy-is-understood-as-moment-when.html' title=''/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-9115405511886174808</id><published>2010-08-17T20:09:00.001+03:00</published><updated>2010-08-17T20:13:44.023+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Harvey'/><category scheme='http://www.blogger.com/atom/ns#' term='crisis'/><category scheme='http://www.blogger.com/atom/ns#' term='animation'/><category scheme='http://www.blogger.com/atom/ns#' term='capitalism'/><title type='text'>RSA Animate - Crises of Capitalism</title><content type='html'>&lt;object height="295" style="background-image: url(http://i2.ytimg.com/vi/qOP2V_np2c0/hqdefault.jpg);" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/qOP2V_np2c0?fs=1&amp;amp;hl=en_US"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/qOP2V_np2c0?fs=1&amp;amp;hl=en_US" width="480" height="295" allowscriptaccess="never" allowfullscreen="true" wmode="transparent" type="application/x-shockwave-flash"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;David Harvey animated lecture on Crises of Capitalism&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-9115405511886174808?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/9115405511886174808/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/rsa-animate-crises-of-capitalism.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/9115405511886174808'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/9115405511886174808'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/rsa-animate-crises-of-capitalism.html' title='RSA Animate - Crises of Capitalism'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-6850822644848334339</id><published>2010-08-17T20:07:00.000+03:00</published><updated>2010-08-17T20:07:13.797+03:00</updated><title type='text'>The Wikipedia page for “Πτώχευση”</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4901920550/" title="&amp;quot;Πτώχευση&amp;quot; by hospi-table, on Flickr"&gt;&lt;img src="http://farm5.static.flickr.com/4142/4901920550_d7a08ba563_o.jpg" width="506" height="221" alt="&amp;quot;Πτώχευση&amp;quot;" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Wikipedia page for &lt;a href="http://el.wikipedia.org/wiki/%CE%A0%CF%84%CF%8E%CF%87%CE%B5%CF%85%CF%83%CE%B7"&gt;“Πτώχευση”&lt;/a&gt; (Greek for Bankruptcy) is considered by the administrators greek-centered, which as they explain: “the article presents the issue of bankruptcy from a greek point of view or it presents only the greek aspect of a global subject”. Can this greek point of view discussing Bankruptcy a point of entry to this summer’s kamwokrshop?&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-6850822644848334339?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/6850822644848334339/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/wikipedia-page-for.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/6850822644848334339'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/6850822644848334339'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/wikipedia-page-for.html' title='The Wikipedia page for “Πτώχευση”'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-4686330709043518756</id><published>2010-08-17T19:56:00.001+03:00</published><updated>2010-08-17T19:58:41.305+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='bankruptcy'/><category scheme='http://www.blogger.com/atom/ns#' term='crisis'/><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='KAM'/><title type='text'>the crisis condition</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4901888876/" title="/// by hospi-table, on Flickr"&gt;&lt;img alt="///" height="67" src="http://farm5.static.flickr.com/4076/4901888876_151c22f583_o.gif" width="67" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;In this year’s “Bankruptcy of Architecture”, the workshop will investigate the local conditions as a particular moment of a financial crisis. Can the crisis determine some strategies for architecture? The particular Greek moment takes an emblematic form: a positive, constructive look to this bankrupted world we built is needed. At the contrary some very strong concepts need to be redefined, such the concept of “nature” or the “politics of reuse”. Some changes of the value systems have to be taken under consideration for the function of a workshop that always related art to architecture through theoretical investigation.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-4686330709043518756?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/4686330709043518756/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/crisis-condition.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4686330709043518756'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/4686330709043518756'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/crisis-condition.html' title='the crisis condition'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-3729076160146720900</id><published>2010-08-17T19:42:00.001+03:00</published><updated>2010-08-17T19:43:20.601+03:00</updated><title type='text'>lectures programme</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4901808036/" title="KAM programme 2010 by hospi-table, on Flickr"&gt;&lt;img alt="KAM programme 2010" height="640" src="http://farm5.static.flickr.com/4074/4901808036_153e33d6be_z.jpg" width="453" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.kamworkshops.com/files/KAM_programme_2010.pdf"&gt;download poster&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-3729076160146720900?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/3729076160146720900/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/bankruptcy-of-architecture-programme.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/3729076160146720900'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/3729076160146720900'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/bankruptcy-of-architecture-programme.html' title='lectures programme'/><author><name>KAM workshops</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='32' src='http://4.bp.blogspot.com/_YLPoAoF0L6g/THa3G2d0doI/AAAAAAAAABs/9_gDe2KR6vA/S220/kam_2010_2.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4074/4901808036_153e33d6be_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2063966711378206724.post-6261118166333068057</id><published>2010-08-17T19:16:00.006+03:00</published><updated>2010-08-17T19:30:26.645+03:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='bankruptcy'/><category scheme='http://www.blogger.com/atom/ns#' term='KAM'/><title type='text'>the Bankruptcy of Architecture</title><content type='html'>&lt;a href="http://www.flickr.com/photos/hospi-table/4901222493/" title="KAM poster 2010 by hospi-table, on Flickr"&gt;&lt;img src="http://farm5.static.flickr.com/4119/4901222493_68cc775e35_z.jpg" width="453" height="640" alt="KAM poster 2010" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The Center of Mediterranean Architecture (KAM) is pleased to introduce the new thematic field of investigation for its Summer Workshops Program. The program will bring together some selected professors and students of architecture and fine arts schools for an intensive 10-day studio work that will be focused on the specific theme: the Bankruptcy of Architecture. The sophistication of a poor architecture (that reuses existing material) meets the art tradition of the “ready- ade” and of the found object (“objet trouvé”). The thematic field is proposed to be examined through two different aspects, in two different proposed sites that include an urban area and an independent sustainable residence. The works of the summer workshops will take place in the Venetian Arsenal  of Chania, Crete.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2063966711378206724-6261118166333068057?l=the-bankruptcy-of-architecture.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://the-bankruptcy-of-architecture.blogspot.com/feeds/6261118166333068057/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/bankruptcy-of-architecture.html#comment-form' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/6261118166333068057'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2063966711378206724/posts/default/6261118166333068057'/><link rel='alternate' type='text/html' href='http://the-bankruptcy-of-architecture.blogspot.com/2010/08/bankruptcy-of-architecture.html' title='the Bankruptcy of Architecture'/><author><name>andy cropy</name><uri>http://www.blogger.com/profile/13458481320920973461</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://2.bp.blogspot.com/-5dejCQVC45E/TX1h6s-UTuI/AAAAAAAAA2Y/XNm5MxorhQs/s1600/wrksphre.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm5.static.flickr.com/4119/4901222493_68cc775e35_t.jpg' height='72' width='72'/><thr:total>0</thr:total></entry></feed>
